Cantaloupe Description Essay Example for Free

Cantaloupe Description Essay The Cantaloupe At first glance, the cantaloupe looks round and light grayish-tan, with a hint of green. From afar it looks round and plain, about the size of a peewee soccer ball. On approach, the circular shape is less perfect with subtle dents and bumps all around. Surrounding the sphere shaped fruit are light tan lines like a dense city map with all the streets intertwining and curving around without any significant pattern, not geometric like gridlines. On the surface, there are small matchbook sized patches color the skin, some more yellow and other patches that are darker green. A particular indention looks like the fruit might have laid on a rock on the ground while it was growing. One end, where the flower might have once been, is the palest of yellow circles. On the opposite edge, the stubby vestige of a stem remains. This dried up nub is the brown and shriveled, slightly indented from the rest of the globe. Surrounding the stem is a dark circle of hunter green. Picking it up from the counter, the weight of this globular object seems significantly heavier than it looks, like a mini bowling ball. Despite the volume, it feels that the weight is not solid which is proven by the hollow sound the fruit makes when tapped, like patting a child on the head. The delineated lines feel like webbing and give the fruit a rough feel, but it’s not an uncomfortable roughness. The experience is somewhere in between a prickly cactus and a furry peach. At this point my mind starts to wander. Should I cut it open now or wait? Should I take a break? I look outside at the fat flakes of snow coming down outside and remind myself to get back to the task at hand. There is no resentment or anger. I look again at this object I have assigned myself to detail. When I am at a loss as to how to describe something in particular my mind wandering happens more frequently. I continue to focus my attention back to the cantaloupe as soon as I realize I’ve been distracted. I hold the cantaloupe to my eye. There is a faint line of brownish green that runs through the net-like lines covering the fruit. Some of the spaces between the lines look like parks because they’re darker green, while others ook grey like the concrete of a parking lot. My mind wanders again and I start to look to see if there are any recognizable maps in squiggles. I see a roundabout that reminds me of an intersection in England and another resembles the neighborhood where I grew up. The intertwining layers of the lines remind me of overgrown vines on a wall covering another layer of skin. The underneath layer has the vague look of green splotches, almost veins, like the streaks that run through blue cheese. I thump the cantaloupe again. It substitutes as a drum to make a tune. Apparently it has different thicknesses inside because the sound it makes when you knock it on the end is a higher pitch than when you rap it in the middle. One spot must be particularly thick because the sound is more substantial. Rubbing the skin makes the same sound as rubbing your hands together on a dry winter day. I try to make other noises using the produce, but intuition tells me that the only way to get another sound is to drop it on the floor. I’m not willing to do that. Before cutting into the orb, I notice a whiff of eau-de grocery store produce aisle a bit past its sell-by date. The smell isn’t strong and it’s only when I touch the fruit to my nose that I smell this. I then sniff each different area of the outer layer and notice that where the flower once might have been the smell is much stronger and sweeter. I scratch my finger nails on the rough skin, but it doesn’t affect the scent the way it would with an orange or lemon. It’s time to cut into the orb. Even as the knife makes the first gouge, clear pale orange juice escapes. I lick my fingers and find the sweet taste refreshing and different. Although the juice is the color of a Satsuma mandarin or a commercial worthy carrot, it tastes nothing like either. Slicing the melon in half, the cantaloupe now resembles a geode, with a plain outside and a brightly colored exotic inside. It’s filled with seeds and goo in the center. The slimy innards resemble the finest angel hair pasta, but instead of being the color of regular noodles, they are varying shades of orange, some even translucent. I carve out this gooey inside and the sweet smell now fills the air with its cloying tropical fermented flower mell. Friends who have been watching a movie in the other room come to see if they can have some, the smell having tempted them away from what they are doing. Ironic, because I’m no longer interested in the cantaloupe and ready to toss it into the composting bin. I send everyone away so that I can continue on. The meaty flesh isn’t too tough, nor is it too soft. I take a bite and let the flavor rush across my to ngue. The taste reminds me of summers on the farm eating the freshest fruits and vegetables straight out of the garden still warm from the sun. There’s a touch of salt in the taste, but the sweetness overpowers it. In spite the firm texture, the fruit feels soft and chewy and the volume of nectar is astounding. The tissue is softer and moister than the similar essence of a pumpkin and more compact than the inside of a fig. Squishing the orange flesh with my fingers, it all but dissolves into juice. What little remains is the finest of strings as soft as silk. I find a seed still attached, that I missed. The kernel is a flat oval with semi-pointed ends. Like a flat football with the air taken away, but miniscule in comparison. It’s almost as though the surrounding fibrous slime is dissolving in the air as I watch. I break open a seed using my fingernail. It’s soft and waxy, not much there. I take a wedge of the sliced cantaloupe and look at the difference between the skin and the edible meat. Like a rainbow, the color changes from thick rind on the outside to the orange moist, fleshy core on the inside. Like the color spectrum, the differences in shades are subtle, but quick. A yellow stratum is the most predominant, but considering the layer in question is less than an eighth of an inch thick, this golden subcutaneous layer isn’t very big. I make sure there isn’t anything I’ve overlooked and to check my notes for missing descriptive words. I’m shocked to look at the clock and see that more time has passed than I would have expected. I went several hours without checking my watch; something I can only do when I’m not bored. Learning to look beyond the obvious is something I already knew how to do. I enjoy observing people and watching facial expressions for meaning. What I’m not good at it is sitting still and holding my attention for long periods of time. Exercises like this help to train my brain to â€Å"settle own, focus, and catch up† as local monologuist Josh Kornbluth says. While I had to make a few self directed corrections along the way, I was fairly pleased that I was able to block out a significant amount of what was going on with family and friends in the other rooms and outdoors. Yes, there were a few times that my attention wandered, but I was back on track in seco nds rather than hours or days. The reward at the end was to finish a paper I was happy with and to share the small remainder of the cantaloupe with my friends while on a weekend away. Mission accomplished!

Analysis of Emily Dickinsons The Bustle in a House Essay -- Dickinson

Analysis of Emily Dickinson's The Bustle in a House The Bustle in a House is a poem by Emily Dickinson about the painful loss one feels after the death of a loved one. Dickinson was quite familiar with the kind of pain expressed in her poem. Her father, mother, nephew, and three close friends, all died within an eight-year period. It is no small wonder that a common theme in Dickinson s poetry is death. She uses many literary devices, including structure, imagery, figurative language, sound devices, and capitalization; to convey the hurt one experiences when a loved one passes on.   Ã‚  Ã‚   The structure of   The Bustle in a House   is very interesting. It is a short poem, only two stanzas long. Both stanzas are made up of a single sentence. With the exception of a lone dash at the end of the first stanza, and the period that ends the sentence, there is no punctuation. All of these factors add up to make the poem have a very brisk pace. The pace makes it seem that after death, one is supposed to just pick up and go on as usual.   Ã‚  Ã‚   Dickinson also uses imagery to add to the th...

Good People Essay

The Good People play took place in 2011, and it was by David Lindsay. It was one of the most premiere plays in the world at the time. Its production got two nominations in 2011 for Tony awards, which included best play and best actress. This response paper will focus on the play titled good people. The paper will have an explanation of my opinion about the acting, producing, directing, lighting and clothing. The characters of the play were Mike, Margie, Dottie, Jean, Stevie and Kate. Acting The acting of the play was highly good, and one of the play’s characters Margie Walsh, who had been a resident of Southie for many years, was sacked from her position of employment due to tardiness. She had been a cashier at a dollar-store business. Margie went to her old friend with whom she schooled in high school who had become a doctor and sought for employment. She shamed her doctor friend by the name Mike for declining to invite her to his birthday. Margie was looking forward to the birthday party. This was because she wanted to capitalize on the party in order to mingle with the potential-employers. Producing The play was produced on Broadway in 2011. It began by the Broadway previews at a theatre known as Samuel Friedman on 8th February, 2011 and opened its doors to the public on 3rd March the same year. Its productions were extremely superb, where Daniel Sullivan was the director. The stars were Tate Donovan and Frances McDormand. Donovan acted as Mike while McDormand as Margie. Some other members of the cast included Becky Baker who acted as Jean, Estelle Parsons acted as Dottie, Patrick Carroll acted as Stevie, Renee Goldsberry acted as Kate. The play had a highly resourceful and creative team that included John Beatty who provided set pieces, David Zinn who provided costumes and Pat Collins who provided lighting. There was a limited engagement that was concluded on the 29th May, 2011 after more than 100 regular performances as well as 27 previews. Directing Daniel Sullivan directed the play, which starred Frances McDormand and Tate Donovan. Daniel Sullivan had been nominated as the director who would be the most outstanding in the play. The directing of the play was highly good through the introduction of various set pieces that were highly ridiculous as well as enjoyable. The directing was also fascinating and spectacular with some sense of humor from the director himself. The director had some comic effects that made the play funny as well as playful and in some instances causing prolonged laughter and stitches from the audience. Lighting The lighting of the play provided a highly good ambience, which made the play highly attractive to watch. The acting stage was properly lit with some colored bulbs and fluorescent tubes. There were alternating bright and dim colors on the stage, which signified numerous messages that the actors wanted to communicate. The lighting system complimented with the costumes in a highly good and attractive way. Overall, the theatre had a bright lighting system that made all the people to be properly visible. Clothing The actors had extremely attractive costumes that improved their appearance. The costumes or the clothing of the characters comprised of the mainstream cultures that were borrowed extensively from a multiplicity of various cultures in the world. The roles of the characters in the play clearly defined what particular costumes that was to be used. The costumes’ colors were highly attractive and expressed the various themes of the play. Conclusion Conclusively, Good People was a highly popular play that made people claim that it was a hit in the theatre clubs, in the larger Manhattan. The lovers of the play advocated for its justice by fighting for its recognition. One of its stars, Frances McDormand respected the women who worked extremely hard as a way of making a living without complaining. The scenes set up in the play was highly appealing and fascinating.

The Worst Crime Is Faking It - 1928 Words

â€Å"The worst crime is faking it.† (Kurt Cobain) We use media every day in different forms, younger audience prefers to use social media to stay updated and older audience prefers more reliable sources. Media goes hand in hand with a lot of different issues. It is heavily involved with sexism , objectifying women and also it is closely related to the public s fear of crime. Miss Representation, the documentary, describes all the ways that media objectifies women. For instance, advertising companies use women’s bodies to sell different kind of products, for example AXE ads where women are practically naked because sex sells. Similarly, media blows details out of proportion resulting in public’s fear of crime. Crime has always been a part of our society, but how is it that it seems to be growing every day. Is crime really increasing or is it that people now are just more aware of it. In addition, does media exaggerate to get its point across and blow little deta ils out of proportion to create public fear of crime? U.S. annual crime report from FBI’s 2014 edition estimated that the number of violent crimes decreased 0.2 percent when compared with data from 2013. Likewise, the number of property crimes decreased 4.3 percent from 2013 as well (2015, September 28). Despite all the statistics, all that media portrays is mass shootings, mass bombings, sexual abuse, murder, rape, kidnapping, child abduction,etc. Why is media and public’s fear of crime so closely tied together? UsingShow MoreRelatedThe Silent Suffering Victim1323 Words   |  6 Pagescried with her, with them. Rape books are numerous, at least I ve read my fair share. They come in all shapes and sizes, giving us tragic stories of broken lives and emotionally crippled victims. 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